Instruments used are virtual harmonium, virtual fiddle, and virtual viola. This movement may be suitable for accompanying a nap or meditation. The piece gets slower and quieter up to the mid point, then gradually returns to the opening tempo and volume. This procedure is followed for all seven musical phrases, ending with a brief canon on the notes for the "Amen" for this mode II piece. "Phasing Canons on Ut queant laxis" begins each phrase in temporal unison and gradually moves into polyphony via phasing through added silences in each voice. ![]() The three pieces in this album are the result. John the Baptist, I began playing with the notes (i.e., the six pitches or hexachord) from this hymn tune in various ways. ![]() When I realized it was 24 June, and the feast of St. In late June 2023 I was experimenting with loops of different lengths starting together and moving out of phase as they played. I love this melody and have long admired Guido for his pedagogical innovation, which was the concept that allowed me to learn to sight sing. ![]() See en./wiki/Ut_queant_laxis to hear the chant hymn. The hymn itself is used for evening prayer for the feast of St. 11th century Camaldolese Benedictine monk and music theorist Guido d'Arezzo used the first notes and syllables of each of the first six phrases of the plainchant hymn "Ut queant laxis" to form what we know now as the solfeggio/solmization system (i.e., do, re, mi, fa, sol, la ).
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